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Monthly Archives: March 2011
Walls of Sound: the Sound Conservation Centre
Walls of Sound is a BBC Radio 4 documentary exploring the work of the Sound Conservation Centre at the British Library. The idea for the programme, produced by Julian May and presented by radio historian Sean Street, was to explain … Continue reading
Posted in Cultural Cartography, Experimental Historiography, Mapping Sound and Sounding Maps, Sound Art
Tagged BBC radio 4, British Library, historical documents, O’o A’a bird last recorded song, Oral History, Sound archives, Sound Conservation Centre, Sound Recordings, Soundscapes, voices from history, Walls Of Sound
5 Comments
Documentation of Terrible Karma: U-Haul truck as Mobile Exhibition Space
Terrible Karma: reverberations of the Triangle Shirtwaist Fire was a mobile audio-visual installation exploring the global reverberations of the Triangle Shirtwaist Factory fire (in which 146 garment workers, mostly young immagrent women, were killed) on its 100th anniversary: March 25th 2011. … Continue reading
Posted in Creativity in the City, Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Events, Presentations, Happenings etc., Exhibitions, Experimental Geographies, Experimental Historiography, Geographer-artists, Mapping Sound and Sounding Maps, Spatial Encounters, Spectral Geographies
Tagged Adeola Enibokan, art in odd places, Asch Building, Experimental exhibition spaces, Experimental Geography in Practice i, installation documentation, inventive art practices. public actions or urban interventions without the confinement of a gallery or museum space, Labour activism, merle patchett, mobile exhibition space, new media, Performance, public actions, Public Art, Remember the Triangle Fire Rally, Site-specific installation, site-specific installations, social and spatial interventions, Terrible Karma: reverberations of the Triangle Shirtwaist Fire, the Cooper Union, U-Haul Truck as Mobile exhibition space, Urban art interventions, video and audio projects
6 Comments
Terrible Karma: reverberations of the Triangle Shirtwaist Fire
This week I am travelling to the city of New York to premier the audio-visual installation Terrible Karma: reverberations of the Triangle Shirtwaist Fire that has been created and curated by Adeola Enigbokan and myself. Terrible Karma is a mobile audio-visual … Continue reading
Posted in art in place and the place of art, Creativity in the City, Cultural Cartography, Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Exhibitions, Experimental Geographies, Experimental Historiography, Geographer-artists, Public Art, Sound Art, Spatial Encounters, Spectral Geographies
Tagged Adeola Enigbokan, audio-visual installation, Cultural Geography, Cut Make Trim (CMT), David Toop, Dhaka Bangladesh, Garment factories, Garment factory fires, Garment Unions, Industrial Disaster, March 25th, merle patchett, mobile exhibition space, New York, Oral History, Phnom Penh Cambodia, Qingyuan China, Remember the Triangle Fire coalition, remember the triangle walk, sound art, Sound as Haunting, spectral geography, Terrible Karma, Terrible Karma: reverberations of the Triangle Shirtwaist Fire, triangle fire, Triangle Fire Centenary, Triangle Shirtwaist Fire
1 Comment
Fashioning Feathers: Dead Birds, Millinery Crafts and the Plumage Trade
Feathers fascinate, feathers are fetishized, feathers are very much back in fashion. This exhibition takes us back to a time when the wings, bodies and heads of birds were used to adorn hats. Fashioning Feathers… explores the complex geographies of … Continue reading
Posted in Cultural Geography, Curatorial Concerns, Exhibitions, Geographer-artists
Tagged Andrea Roe, animal geographies, animal remains, bird taxidermy, birds killed for fashion, Consumption, contemporary art, Craft, Dead Birds, FAB Gallery, fashion feathers, Fashioning Feathers exhibition, Kate Foster, material culture, merle patchett, Millinery Crafts, objects in a state of becoming, Plumage Sweatshops, Plumage Trade, plumes, Taxidermy
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Liberate Tate: Alternative Tate Audio Tour
Art/activist group Liberate Tate, has put out a call out for a sound artist to work with them on an Alternative Tate Audio Tour in response to BP sponsorship. It’s a paid commission, and the deadline for people to send … Continue reading
Posted in 'Slow Art' and Sustainability, Curatorial Concerns, Events, Presentations, Happenings etc., Exhibitions, Experimental Geographies, Sound Art
Tagged Audio Tour, Call for Proposals, challenging the corporate presence of large oil companies inside cultural institutions, Immo Klink, Liberate Tate, sound art
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Material Culture, Craft and Community: Negotiating Objects Across Time and Place
For those of you interested in material culture the Material Culture Institute of the University of Alberta is hosting the conference Material Culture, Craft and Community: Negotiating Objects Across Time and Place 20-21 may 2011. The keynote address is being … Continue reading
