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Category Archives: Cultural Cartography
Remotely Sensing Cape Farewell
I recently gave a presentation at the RGS-IBG annual conference where I creatively presented a series of 35mm slides from my dad’s 1972 mountaineering expedition to Cape Farewell, Greenland. I gave the presentation in a session entitled “Me, my self … Continue reading
Posted in art in place and the place of art, Cultural Cartography, Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Exhibitions, Experimental Geographies, Experimental Historiography, Geographer-artists, Maps and Mapping, Sound Art, Spatial Theory
Tagged archival practice, Art and Climate Change, Cape Farewell, critical historiography, Derek McCormack, Greenland, Ideas of North, Jim Patchett, loss, love, mountaineering, Nigel Thrift, non-representational and performative art practices, Non-Representational Theory, Royal Geographical Society
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Sound Recording Tutorial from Wildlife Sound Recordist John Acorn
I thought I would share the first experimental attempts of John Acorn (University of Alberta) and I to find the best way to record a walking interview whilst also capturing the surrounding sound-environment. The following sound file acts as an … Continue reading
Urban Undercurrents
Friend of Experimental Geography in Practice Adeola Enigbokan, of archivingthecity, will be participating in Urban Undercurrents part of the Urban Festival organized by The New School. If you are in or visiting New York come out on the evening of April 21 (Thursday) … Continue reading
Walls of Sound: the Sound Conservation Centre
Walls of Sound is a BBC Radio 4 documentary exploring the work of the Sound Conservation Centre at the British Library. The idea for the programme, produced by Julian May and presented by radio historian Sean Street, was to explain … Continue reading
Posted in Cultural Cartography, Experimental Historiography, Mapping Sound and Sounding Maps, Sound Art
Tagged BBC radio 4, British Library, historical documents, O’o A’a bird last recorded song, Oral History, Sound archives, Sound Conservation Centre, Sound Recordings, Soundscapes, voices from history, Walls Of Sound
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Terrible Karma: reverberations of the Triangle Shirtwaist Fire
This week I am travelling to the city of New York to premier the audio-visual installation Terrible Karma: reverberations of the Triangle Shirtwaist Fire that has been created and curated by Adeola Enigbokan and myself. Terrible Karma is a mobile audio-visual … Continue reading
Posted in art in place and the place of art, Creativity in the City, Cultural Cartography, Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Exhibitions, Experimental Geographies, Experimental Historiography, Geographer-artists, Public Art, Sound Art, Spatial Encounters, Spectral Geographies
Tagged Adeola Enigbokan, audio-visual installation, Cultural Geography, Cut Make Trim (CMT), David Toop, Dhaka Bangladesh, Garment factories, Garment factory fires, Garment Unions, Industrial Disaster, March 25th, merle patchett, mobile exhibition space, New York, Oral History, Phnom Penh Cambodia, Qingyuan China, Remember the Triangle Fire coalition, remember the triangle walk, sound art, Sound as Haunting, spectral geography, Terrible Karma, Terrible Karma: reverberations of the Triangle Shirtwaist Fire, triangle fire, Triangle Fire Centenary, Triangle Shirtwaist Fire
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Where is Fort McMurray?
I recently accompanied a friend (and fellow social researcher) Andriko Lozowy on a trip to Ft McMurray to help him set up an exhibition of photographic work – Where is Ft McMurray? – that he and his collaborators are presenting … Continue reading
Posted in art in place and the place of art, Creativity in the City, Cultural Cartography, Cultural Geography, Curation as Spatial Practice, Exhibitions, Experimental Geographies, Geographer-artists, Spotlight
Tagged Andriko Lozowy, Community, Fort McMurray Public Library, Photographic exhibition, Sense of Place, University of Alberta, Where is Fort McMurray?, Youth Photography
2 Comments
Be your own cartographer
OpenStreetMap is an ebook by Jonathan Bennett that teaches you how to become your own cartographer. The book and its accompanying technology allow you to to create your own custom maps or ‘GPS Traces’. A GPS trace or tracklog is simply … Continue reading
Rescue Geographies: Exploring Understandings of Space and Place with Mobile Technologies
Rescue Geography is a project that sets out to explore understandings of space and place with mobile technologies. Led by academic geographers Phil Jones (University of Birmingham) and James Evans (University of Manchester) Rescue Geography is a non-commercial body interested in trying out … Continue reading
Posted in Creativity in the City, Cultural Cartography, Cultural Geography, Curation as Spatial Practice, Experimental Geographies, Maps and Mapping
Tagged Cycling, Dan Burwood, Eastside, exhibition, experimental mapping, GPS tracking, James Evans, local environment, mobile technologies, Phil Jones, place, Rescue Geography, social research, space
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Spectral Geographies and Crafting a Form of Experimental Historiography
“Spectrality effects in place, and differentially in different placings, an unsettling complication of the linear sequence of past, present and future. For Derrida we lack a nuanced sense of history and memory ‘as long as [we rely] on a general … Continue reading
Posted in Cultural Cartography, Curation as Spatial Practice, Experimental Geographies, Experimental Historiography, Geographer-artists, Spatial Theory, Spectral Geographies
Tagged Cheryl McEwan, Cultural Geography, Experimental Historiography, Fashioning Feathers, immateriality, Jaques Derrida, John Wylie, L. W. Hine, NY Sweatshops, Photography, Plumage Trade, Spectral Geographies, Spectro-Politics, Steve Pile, Tim Edensor
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