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Category Archives: Curation as Spatial Practice
Terrible Karma: reverberations of the Triangle Shirtwaist Fire
This week I am travelling to the city of New York to premier the audio-visual installation Terrible Karma: reverberations of the Triangle Shirtwaist Fire that has been created and curated by Adeola Enigbokan and myself. Terrible Karma is a mobile audio-visual … Continue reading
Posted in art in place and the place of art, Experimental Geographies, Cultural Geography, Spatial Encounters, Public Art, Curatorial Concerns, Cultural Cartography, Spectral Geographies, Experimental Historiography, Geographer-artists, Curation as Spatial Practice, Sound Art, Exhibitions, Creativity in the City
Tagged sound art, merle patchett, Cultural Geography, Terrible Karma: reverberations of the Triangle Shirtwaist Fire, Adeola Enigbokan, audio-visual installation, mobile exhibition space, Triangle Shirtwaist Fire, Sound as Haunting, David Toop, Garment factories, Qingyuan China, Dhaka Bangladesh, Phnom Penh Cambodia, Terrible Karma, Triangle Fire Centenary, Remember the Triangle Fire coalition, Garment factory fires, New York, Oral History, Cut Make Trim (CMT), Garment Unions, March 25th, Industrial Disaster, spectral geography, triangle fire, remember the triangle walk
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Where is Fort McMurray?
I recently accompanied a friend (and fellow social researcher) Andriko Lozowy on a trip to Ft McMurray to help him set up an exhibition of photographic work – Where is Ft McMurray? – that he and his collaborators are presenting … Continue reading
Posted in art in place and the place of art, Creativity in the City, Cultural Cartography, Cultural Geography, Curation as Spatial Practice, Exhibitions, Experimental Geographies, Geographer-artists, Spotlight
Tagged Andriko Lozowy, Community, Fort McMurray Public Library, Photographic exhibition, Sense of Place, University of Alberta, Where is Fort McMurray?, Youth Photography
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Rescue Geographies: Exploring Understandings of Space and Place with Mobile Technologies
Rescue Geography is a project that sets out to explore understandings of space and place with mobile technologies. Led by academic geographers Phil Jones (University of Birmingham) and James Evans (University of Manchester) Rescue Geography is a non-commercial body interested in trying out … Continue reading
Posted in Creativity in the City, Cultural Cartography, Cultural Geography, Curation as Spatial Practice, Experimental Geographies, Maps and Mapping
Tagged Cycling, Dan Burwood, Eastside, exhibition, experimental mapping, GPS tracking, James Evans, local environment, mobile technologies, Phil Jones, place, Rescue Geography, social research, space
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Beyond the Academy: Research as Exhibition
I have recently been thinking through the exhibition as a research output while working on the production of Fashioning Feathers: Dead Birds, Millinery Crafts and the Plumage Trade an exhibition I am co-curating (with Liz Gomez) in association with the Material Culture … Continue reading
Posted in Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Exhibitions, Experimental Geographies, Geographer-artists
Tagged Animal Afterlives, Beyond the Academy, Blue Antelope, collaboration and curatorship, Curatorial Practice, Fahioning feathers, Hayden Lorimer, Hunterian Museum, Kate Foster, Knowledge Exchange, LCACE, Material Culture Institute, merle patchett, Millinery taxidermy, Out of Time, Plumage Trade, Rachel Poliquin, TATE Britain, Taxidermy, taxidermy and art PhD, The Exhibition and Research Output
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Spectral Geographies and Crafting a Form of Experimental Historiography
“Spectrality effects in place, and differentially in different placings, an unsettling complication of the linear sequence of past, present and future. For Derrida we lack a nuanced sense of history and memory ‘as long as [we rely] on a general … Continue reading
Posted in Cultural Cartography, Curation as Spatial Practice, Experimental Geographies, Experimental Historiography, Geographer-artists, Spatial Theory, Spectral Geographies
Tagged Cheryl McEwan, Cultural Geography, Experimental Historiography, Fashioning Feathers, immateriality, Jaques Derrida, John Wylie, L. W. Hine, NY Sweatshops, Photography, Plumage Trade, Spectral Geographies, Spectro-Politics, Steve Pile, Tim Edensor
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Mapping Sound and Sounding Maps
I have recently been researching sonic maps for a project I am developing and thought I would share some of the best examples I have come across so far… 1. Sound Seeker, NY “The NYSoundmap is a map created by … Continue reading
Posted in Curation as Spatial Practice, Experimental Geographies, Mapping Sound and Sounding Maps
Tagged acoustic ecology, bioacoustics, Cultural Geography, Google Map API's, Hypercities, Inukjuak Sound Map, locus sonus, Nimalan Yoganathana, R Murray Schafer, Radio Aporee, save our sounds, sound art, Sound maps, sound seeker, soundscapes of canada
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Experimental Geography tours Canada
Experimental Geography (curated by Nato Thompson) will be touring Canada over the next couple of months. It is already showing at the Museum London, London, Ontario (October 9, 2010 – January 2, 2011) and will then move to Freeman Art Gallery, Bishop’s University Sherbrooke, … Continue reading
Posted in Cultural Geography, Curation as Spatial Practice, Experimental Geographies, Mapping Sound and Sounding Maps, Maps and Mapping, Spatial Theory
Tagged Centre for Land Use Interpretation, Centre for Urban Pedagogy, Experimental Geographies, kanarinka (Catherine D’Ignazio), Nato Thompson, Trevor Paglen
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Dispatch: Notes towards a Lexicon of Urgencies
DISPATCH is the Independent Curators International’s (ICI) new bi-monthly online journal that features a different curator’s points of view on current developments in art. Practitioners based in different cities around the world are invited to use DISPATCH as their virtual … Continue reading
Future Exhibitions: Spatial Encounters (and the production of space)
Future Exhibitions is an annual publication about exhibition making and curatorial concerns, both in Sweden (where it is published) and globally. The theme and title of this year’s issue is Spatial Encounters: “We will focus on the visitor as we … Continue reading
Posted in art in place and the place of art, Curation as Spatial Practice, Experimental Geographies, Spatial Encounters, Spatial Theory
Tagged abstract space, curation, curation as spatial practice, differential spaces, experimental exhibitions, Future Exhibitions, Henre Lefebvre, Kilma X, Norwegian Museum of Science and Technology, Rodney LaTourelle, space, Spatial Encounters, The Production of Space, white cube gallery
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