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Category Archives: Mapping Sound and Sounding Maps
Sound Recording Tutorial from Wildlife Sound Recordist John Acorn
I thought I would share the first experimental attempts of John Acorn (University of Alberta) and I to find the best way to record a walking interview whilst also capturing the surrounding sound-environment. The following sound file acts as an … Continue reading
Walls of Sound: the Sound Conservation Centre
Walls of Sound is a BBC Radio 4 documentary exploring the work of the Sound Conservation Centre at the British Library. The idea for the programme, produced by Julian May and presented by radio historian Sean Street, was to explain … Continue reading
Posted in Cultural Cartography, Experimental Historiography, Mapping Sound and Sounding Maps, Sound Art
Tagged BBC radio 4, British Library, historical documents, O’o A’a bird last recorded song, Oral History, Sound archives, Sound Conservation Centre, Sound Recordings, Soundscapes, voices from history, Walls Of Sound
5 Comments
Documentation of Terrible Karma: U-Haul truck as Mobile Exhibition Space
Terrible Karma: reverberations of the Triangle Shirtwaist Fire was a mobile audio-visual installation exploring the global reverberations of the Triangle Shirtwaist Factory fire (in which 146 garment workers, mostly young immagrent women, were killed) on its 100th anniversary: March 25th 2011. … Continue reading
Posted in Creativity in the City, Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Events, Presentations, Happenings etc., Exhibitions, Experimental Geographies, Experimental Historiography, Geographer-artists, Mapping Sound and Sounding Maps, Spatial Encounters, Spectral Geographies
Tagged Adeola Enibokan, art in odd places, Asch Building, Experimental exhibition spaces, Experimental Geography in Practice i, installation documentation, inventive art practices. public actions or urban interventions without the confinement of a gallery or museum space, Labour activism, merle patchett, mobile exhibition space, new media, Performance, public actions, Public Art, Remember the Triangle Fire Rally, Site-specific installation, site-specific installations, social and spatial interventions, Terrible Karma: reverberations of the Triangle Shirtwaist Fire, the Cooper Union, U-Haul Truck as Mobile exhibition space, Urban art interventions, video and audio projects
6 Comments
Sights and Sounds of the Alberta Oil Sands
As well as helping Andriko Lozowy set up Where is Fort McMurray? on my recent trip to Wood Buffalo, I also went to make some sound recordings of the Oil Sands industrial site. The Athabasca Oil Sands Project is a … Continue reading
Posted in Cultural Geography, Experimental Geographies, Geographer-artists, Mapping Sound and Sounding Maps, Sound Art
Tagged acoustic ecology, Alberta Oil Sands, Andriko Lozowy, Crane Lake Nature Trail, experimental geography, Fort McKay Industrial Park, geography of noise, geography of sound, Highway 63, industrial noise, Mapping Sound, merle patchett, Photography, R Murray Schafer, Sense of Place, Sound recording a geographic research method, Sound Recordings, soundscapes of canada, Syncrude Cannons, Tailings Ponds, Worker Camps
15 Comments
Be your own cartographer
OpenStreetMap is an ebook by Jonathan Bennett that teaches you how to become your own cartographer. The book and its accompanying technology allow you to to create your own custom maps or ‘GPS Traces’. A GPS trace or tracklog is simply … Continue reading
SymbioticA’s Adaption Program Showcases Art-Geography Collaborations
SymbioticA is an artistic laboratory dedicated to the research, learning, critique and hands-on engagement with the life sciences. Under the direction of Oron Catts, SymbioticA’s emphasis is on experiential practice. SymbioticA facilitates a thriving program of residencies, research, academic courses, … Continue reading
Posted in 'Slow Art' and Sustainability, art in place and the place of art, Cultural Geography, Curatorial Concerns, Exhibitions, Experimental Geographies, Geographer-artists, Mapping Sound and Sounding Maps, Public Art, Sound Art
Tagged ADAPTION, Animal Afterlives, art and ecology, art science geography, art-geography collaborations, BioGeoGraphies, Blue Antelope, dead animal parts, Dublin, experiential practice, geographer-artists, GPS spatial sound walking project, Hayden Lorimer, interdisciplinary, Kate Foster, Lake Clifton, life manipulation, merle patchett, object histories, Perdita Phillips, Science Gallery, SymbioticA: artistic laboratory, The Sixth Shore, The Summer Flurry, unruly ecologies: biodiversity and art, Visceral: the living art experiment, zoological collections, zoological specimens in art
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Mapping Sound and Sounding Maps
I have recently been researching sonic maps for a project I am developing and thought I would share some of the best examples I have come across so far… 1. Sound Seeker, NY “The NYSoundmap is a map created by … Continue reading
Posted in Curation as Spatial Practice, Experimental Geographies, Mapping Sound and Sounding Maps
Tagged acoustic ecology, bioacoustics, Cultural Geography, Google Map API's, Hypercities, Inukjuak Sound Map, locus sonus, Nimalan Yoganathana, R Murray Schafer, Radio Aporee, save our sounds, sound art, Sound maps, sound seeker, soundscapes of canada
3 Comments
Experimental Geography tours Canada
Experimental Geography (curated by Nato Thompson) will be touring Canada over the next couple of months. It is already showing at the Museum London, London, Ontario (October 9, 2010 – January 2, 2011) and will then move to Freeman Art Gallery, Bishop’s University Sherbrooke, … Continue reading
Posted in Cultural Geography, Curation as Spatial Practice, Experimental Geographies, Mapping Sound and Sounding Maps, Maps and Mapping, Spatial Theory
Tagged Centre for Land Use Interpretation, Centre for Urban Pedagogy, Experimental Geographies, kanarinka (Catherine D’Ignazio), Nato Thompson, Trevor Paglen
2 Comments
UNDERCURRENTS: EXPERIMENTAL ECOSYSTEMS IN RECENT ART
Our planet faces unprecedented change. If we continue on our current path, by the end of this century, or earlier, our environment will be in a state that modern humans have never experienced. In parts of the world, supplies of … Continue reading
