-
Recent Posts
Top Posts
Archives
- May 2013
- April 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- May 2012
- January 2012
- November 2011
- October 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- June 2010
Categories
- 'Slow Art' and Sustainability
- Architecture and Aesthetics
- art in place and the place of art
- Biennial Culture
- Creativity in the City
- Cultural Cartography
- Cultural Geography
- Curation as Spatial Practice
- Curatorial Concerns
- Events, Presentations, Happenings etc.
- Exhibitions
- Experimental Geographies
- Experimental Historiography
- Geographer-artists
- Mapping Sound and Sounding Maps
- Maps and Mapping
- Prison Art
- Public Art
- Sound Art
- Spatial Encounters
- Spatial Theory
- Spectral Geographies
- Spotlight
- Uncategorized
- Visual culture of Incarceration
Links
- Amada Thomson (artist)
- An Atlas of Radical Cartography
- Andrea Roe (artist)
- Angela Last (Mutable Matters)
- Anja Kanngieser (Transversal Geographies)
- Archiving the City
- Association of American Geographers (AAG)
- Bradley L. Garrett (experimental geographer)
- Brian Rosa (geographer/photographer)
- Cartographies of the Absolute
- Centre for Land Use Interpretation
- Centre for Urban Pedagogy (CUP)
- Counter Cartographies Collective
- Creative Mapping (blog)
- Experimenting with Geography (EwG) online forum
- Fabian Neuhaus – urbanTick
- Hilary Geoghegan (Museum Geographies)
- Independent Curators International
- Inhabiting Imagination
- Kate Foster (artist-researcher)
- Latitude 53, Contemporary Visual Culture
- MAP: Make Art Public
- Mark Paterson (Geographer/Philosopher)
- Material Geographies Series
- Michael Gallagher (social researcher exploring the crossover between academic research and the sonic arts.)
- Perdita Phillips (Interdisciplinary Artist)
- Public Art Edmonton
- Royal Geographical Society/Institute of British Geographers
- Sans Facon
- Space and Culture Journal (Blog)
- Thomas Jellis – Spaces of Experimentation
- Trevor Paglen (Experimental Geographer/Photographer)
- Whitney (NY) Independent Study Program
- Words in Space
Meta
Category Archives: Spectral Geographies
A Very Modern Ruin: St Peter’s Seminary
As part of my Strip Mall activities I am currently researching innovative strategies for the adaption and reuse of built forms which have fallen out of use. One excellent example I want to bring to your attention is the repurposing, … Continue reading
Terrible Karma’s Insertion into the Glossy World of Western Canada Fashion Week
As I mentioned in an earlier post the collaborative audio-visual work - Terrible Karma: reverberations of the Triangle Shirtwaist Fire – created by Adeola Enigbokan and myself was being shown at Western Canada Fashion week’s official after party Splash! last … Continue reading
Posted in Creativity in the City, Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Events, Presentations, Happenings etc., Exhibitions, Experimental Geographies, Experimental Historiography, Geographer-artists, Public Art, Sound Art, Spatial Encounters, Spectral Geographies
Tagged Adeola Enigbokan, audio-visual installation, conditions of labour, consumerism, Cut Make Trim (CMT), Cut Make Trim (CMT) army, Donovan Fashions Edmonton, faddishness, Fashion vistim, Fashionista, Garment factory fires, Garment Industry, garment workers, geographer-artists, globalization of the fashion industry, materialism, merle patchett, Oral History, Site-specific, sound installation, Splash!, sweatshops, Terrible Karma Reverberations, Triangle Shirtwaist Factory centenary, Western Canada Fashion Week
1 Comment
Documentation of Terrible Karma: U-Haul truck as Mobile Exhibition Space
Terrible Karma: reverberations of the Triangle Shirtwaist Fire was a mobile audio-visual installation exploring the global reverberations of the Triangle Shirtwaist Factory fire (in which 146 garment workers, mostly young immagrent women, were killed) on its 100th anniversary: March 25th 2011. … Continue reading
Posted in Creativity in the City, Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Events, Presentations, Happenings etc., Exhibitions, Experimental Geographies, Experimental Historiography, Geographer-artists, Mapping Sound and Sounding Maps, Spatial Encounters, Spectral Geographies
Tagged Adeola Enibokan, art in odd places, Asch Building, Experimental exhibition spaces, Experimental Geography in Practice i, installation documentation, inventive art practices. public actions or urban interventions without the confinement of a gallery or museum space, Labour activism, merle patchett, mobile exhibition space, new media, Performance, public actions, Public Art, Remember the Triangle Fire Rally, Site-specific installation, site-specific installations, social and spatial interventions, Terrible Karma: reverberations of the Triangle Shirtwaist Fire, the Cooper Union, U-Haul Truck as Mobile exhibition space, Urban art interventions, video and audio projects
6 Comments
Terrible Karma: reverberations of the Triangle Shirtwaist Fire
This week I am travelling to the city of New York to premier the audio-visual installation Terrible Karma: reverberations of the Triangle Shirtwaist Fire that has been created and curated by Adeola Enigbokan and myself. Terrible Karma is a mobile audio-visual … Continue reading
Posted in art in place and the place of art, Creativity in the City, Cultural Cartography, Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Exhibitions, Experimental Geographies, Experimental Historiography, Geographer-artists, Public Art, Sound Art, Spatial Encounters, Spectral Geographies
Tagged Adeola Enigbokan, audio-visual installation, Cultural Geography, Cut Make Trim (CMT), David Toop, Dhaka Bangladesh, Garment factories, Garment factory fires, Garment Unions, Industrial Disaster, March 25th, merle patchett, mobile exhibition space, New York, Oral History, Phnom Penh Cambodia, Qingyuan China, Remember the Triangle Fire coalition, remember the triangle walk, sound art, Sound as Haunting, spectral geography, Terrible Karma, Terrible Karma: reverberations of the Triangle Shirtwaist Fire, triangle fire, Triangle Fire Centenary, Triangle Shirtwaist Fire
1 Comment
Spectral Geographies and Crafting a Form of Experimental Historiography
“Spectrality effects in place, and differentially in different placings, an unsettling complication of the linear sequence of past, present and future. For Derrida we lack a nuanced sense of history and memory ‘as long as [we rely] on a general … Continue reading
Posted in Cultural Cartography, Curation as Spatial Practice, Experimental Geographies, Experimental Historiography, Geographer-artists, Spatial Theory, Spectral Geographies
Tagged Cheryl McEwan, Cultural Geography, Experimental Historiography, Fashioning Feathers, immateriality, Jaques Derrida, John Wylie, L. W. Hine, NY Sweatshops, Photography, Plumage Trade, Spectral Geographies, Spectro-Politics, Steve Pile, Tim Edensor
6 Comments
