-
Recent Posts
Top Posts
Archives
- May 2013
- April 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- May 2012
- January 2012
- November 2011
- October 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- June 2010
Categories
- 'Slow Art' and Sustainability
- Architecture and Aesthetics
- art in place and the place of art
- Biennial Culture
- Creativity in the City
- Cultural Cartography
- Cultural Geography
- Curation as Spatial Practice
- Curatorial Concerns
- Events, Presentations, Happenings etc.
- Exhibitions
- Experimental Geographies
- Experimental Historiography
- Geographer-artists
- Mapping Sound and Sounding Maps
- Maps and Mapping
- Prison Art
- Public Art
- Sound Art
- Spatial Encounters
- Spatial Theory
- Spectral Geographies
- Spotlight
- Uncategorized
- Visual culture of Incarceration
Links
- Amada Thomson (artist)
- An Atlas of Radical Cartography
- Andrea Roe (artist)
- Angela Last (Mutable Matters)
- Anja Kanngieser (Transversal Geographies)
- Archiving the City
- Association of American Geographers (AAG)
- Bradley L. Garrett (experimental geographer)
- Brian Rosa (geographer/photographer)
- Cartographies of the Absolute
- Centre for Land Use Interpretation
- Centre for Urban Pedagogy (CUP)
- Counter Cartographies Collective
- Creative Mapping (blog)
- Experimenting with Geography (EwG) online forum
- Fabian Neuhaus – urbanTick
- Hilary Geoghegan (Museum Geographies)
- Independent Curators International
- Inhabiting Imagination
- Kate Foster (artist-researcher)
- Latitude 53, Contemporary Visual Culture
- MAP: Make Art Public
- Mark Paterson (Geographer/Philosopher)
- Material Geographies Series
- Michael Gallagher (social researcher exploring the crossover between academic research and the sonic arts.)
- Perdita Phillips (Interdisciplinary Artist)
- Public Art Edmonton
- Royal Geographical Society/Institute of British Geographers
- Sans Facon
- Space and Culture Journal (Blog)
- Thomas Jellis – Spaces of Experimentation
- Trevor Paglen (Experimental Geographer/Photographer)
- Whitney (NY) Independent Study Program
- Words in Space
Meta
Tag Archives: Plumage Trade
Fashioning Feathers: Dead Birds, Millinery Crafts and the Plumage Trade
Feathers fascinate, feathers are fetishized, feathers are very much back in fashion. This exhibition takes us back to a time when the wings, bodies and heads of birds were used to adorn hats. Fashioning Feathers… explores the complex geographies of … Continue reading
Posted in Cultural Geography, Curatorial Concerns, Exhibitions, Geographer-artists
Tagged Andrea Roe, animal geographies, animal remains, bird taxidermy, birds killed for fashion, Consumption, contemporary art, Craft, Dead Birds, FAB Gallery, fashion feathers, Fashioning Feathers exhibition, Kate Foster, material culture, merle patchett, Millinery Crafts, objects in a state of becoming, Plumage Sweatshops, Plumage Trade, plumes, Taxidermy
Leave a comment
Beyond the Academy: Research as Exhibition
I have recently been thinking through the exhibition as a research output while working on the production of Fashioning Feathers: Dead Birds, Millinery Crafts and the Plumage Trade an exhibition I am co-curating (with Liz Gomez) in association with the Material Culture … Continue reading
Posted in Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Exhibitions, Experimental Geographies, Geographer-artists
Tagged Animal Afterlives, Beyond the Academy, Blue Antelope, collaboration and curatorship, Curatorial Practice, Fahioning feathers, Hayden Lorimer, Hunterian Museum, Kate Foster, Knowledge Exchange, LCACE, Material Culture Institute, merle patchett, Millinery taxidermy, Out of Time, Plumage Trade, Rachel Poliquin, TATE Britain, Taxidermy, taxidermy and art PhD, The Exhibition and Research Output
Leave a comment
Spectral Geographies and Crafting a Form of Experimental Historiography
“Spectrality effects in place, and differentially in different placings, an unsettling complication of the linear sequence of past, present and future. For Derrida we lack a nuanced sense of history and memory ‘as long as [we rely] on a general … Continue reading
Posted in Experimental Geographies, Spatial Theory, Cultural Cartography, Spectral Geographies, Experimental Historiography, Geographer-artists, Curation as Spatial Practice
Tagged Photography, Cultural Geography, Spectral Geographies, Experimental Historiography, Jaques Derrida, Spectro-Politics, John Wylie, Steve Pile, Tim Edensor, Cheryl McEwan, immateriality, L. W. Hine, Plumage Trade, Fashioning Feathers, NY Sweatshops
6 Comments
