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Tag Archives: radical knowledge production
Becoming Geographer-Artist…
Although unfortunately unable to attend in person, slide-shows documenting 2 creative projects I have instigated and collaboratively created and curated are being shown in a session entitled “Geographer- artists: creative practice as research tool?” at the annual meeting of the … Continue reading
Posted in art in place and the place of art, Creativity in the City, Cultural Geography, Curation as Spatial Practice, Curatorial Concerns, Events, Presentations, Happenings etc., Exhibitions, Experimental Geographies, Geographer-artists, Public Art, Sound Art, Spatial Encounters, Spatial Theory
Tagged AAG Seattle, Adeola Enigbokan, Andrea Roe, art-geography collaborations, audiencing, audio-visual installation, collaborations, creative geographies, creative practice, curation as spatial practice, experimental approaches to fieldwork, Fashioning Feathers exhibition, feathers, fshion, garment workers, Geographer- artists: creative practice as research tool?, geographer-artists, geographical research methods, geopolitics of art production/consumption, institutional critique, Kate Foster, Liz Gomez, marginal arts organizations, Material Culture Institute, merle patchett, mobile exhibition space, mobile installation, Office of Experiments, participatory geographies, radical knowledge production, Terrible Karma: reverberations of the Triangle Shirtwaist Fire, Thomas Jellis, Triangle Shirtwaist Fire
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