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Category Archives: ‘Slow Art’ and Sustainability
The Aesthetics of the Strip Mall
I am currently researching the architecture and aesthetics of Strip Malls for the design competition I am launching in collaboration with the City-Region Studies Centre (see previous post for details). The design competition will ask for submissions to reinvent the … Continue reading
Unbuilding Detroit
In Unbuilding Detroit, a Falling Tree production for BBC radio 4, producer Eleanor McDowall explores how abandoned buildings and structures, and entropic processes of decomposition and decay, are providing the materials for artists to re-imagine Detroit. Unfortunately it’s no longer available … Continue reading
Be Creative: Precarious Labour in Art and Cultural Worlds
I wont be in town for this but I would love to hear a recording or read someone else’s take on proceedings if anyone is going and wants to share: PUBLIC LECTURE ‘Critical Perspectives on Creative Labour’ Professor Angela McRobbie … Continue reading
Posted in 'Slow Art' and Sustainability, Creativity in the City, Curatorial Concerns
Tagged Angela McRobbie, arts administration, Berlin, critical perspectives on creative labour, Feminism and Futurity, freelance casualised creative work, Glasgow, human capital, London, Michel Foucault, precarious labour
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Liberate Tate: Alternative Tate Audio Tour
Art/activist group Liberate Tate, has put out a call out for a sound artist to work with them on an Alternative Tate Audio Tour in response to BP sponsorship. It’s a paid commission, and the deadline for people to send … Continue reading
Posted in 'Slow Art' and Sustainability, Curatorial Concerns, Events, Presentations, Happenings etc., Exhibitions, Experimental Geographies, Sound Art
Tagged Audio Tour, Call for Proposals, challenging the corporate presence of large oil companies inside cultural institutions, Immo Klink, Liberate Tate, sound art
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SymbioticA’s Adaption Program Showcases Art-Geography Collaborations
SymbioticA is an artistic laboratory dedicated to the research, learning, critique and hands-on engagement with the life sciences. Under the direction of Oron Catts, SymbioticA’s emphasis is on experiential practice. SymbioticA facilitates a thriving program of residencies, research, academic courses, … Continue reading
Posted in 'Slow Art' and Sustainability, art in place and the place of art, Cultural Geography, Curatorial Concerns, Exhibitions, Experimental Geographies, Geographer-artists, Mapping Sound and Sounding Maps, Public Art, Sound Art
Tagged ADAPTION, Animal Afterlives, art and ecology, art science geography, art-geography collaborations, BioGeoGraphies, Blue Antelope, dead animal parts, Dublin, experiential practice, geographer-artists, GPS spatial sound walking project, Hayden Lorimer, interdisciplinary, Kate Foster, Lake Clifton, life manipulation, merle patchett, object histories, Perdita Phillips, Science Gallery, SymbioticA: artistic laboratory, The Sixth Shore, The Summer Flurry, unruly ecologies: biodiversity and art, Visceral: the living art experiment, zoological collections, zoological specimens in art
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Global Visions Film Festival: the ENERGY PANEL
This Saturday (Nov 13th) at the Art Gallery of Alberta I will be moderating Global Visions Film Festival’s ENERGY Panel. Global Vision’s ENERGY program, hosted in partnership with the Art Gallery of Alberta will be screening a series of films related … Continue reading
F.E.A.S.T: Funding Emerging Art with Sustainable Tactics
The current economic climate is forcing artists and not-for-profit artist-run centres to come up innovative new funding strategies. One of these is FEAST (Funding Emerging Artists with Sustainable Tactics). FEAST is a recurring public dinner designed to use community-driven financial … Continue reading
Posted in 'Slow Art' and Sustainability
Tagged F.E.A.S.T, kickstarter, micro-funding
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Sustainable Museums: Strategies for the 21st Century
As a freelance curator interested in cultivating sustainable approaches to exhibition production, design and re-use, Rachel Maden’s new book ‘Sustainable Museums’ offers innovative practical strategies for incorporating sustainable working practices into both institutional and individual curatorial practice. How can museums … Continue reading
Experimental Geography in Practice 